Miriam Griffin was born in Knoxville, Tennessee and holds a BFA degree from the University of Montana, Missoula. She has an Associate's Degree from Bard College at Simon's Rock, and has also studied at the University of Tennessee, Arrowmont School of Arts and Crafts, and Women's Studio Workshop. She has received several scholarships to attend workshops at Penland School of Crafts, and has participated in residency programs at The Clay Studio of Missoula (as the summer 2013 University of Montana resident) and at Medalta (Medicine Hat, Alberta, CA).
Spending the first half of his life in the United States Virgin Islands and the latter half in Chicago and New York, Koral’s work tends to reveal observations of the natural and manmade worlds. Koral received his AFA, Associates of Fine Arts at College of Dupage (IL), a BFA at Southern Illinois University, and was a Post Baccalaureate Student at Kansas State University. Most recently, he was a long-term resident at Red Lodge Clay Center.
I grew up immersed in the outdoors, in a time where technology began to live in our homes. The colors in advertisements and their products were mimicking those of native sceneries and festivals. And while a strong connection to nature began to fade, metropolises emerged. It seemed that the tribal idea of "order emerging from chaos" was reaching itsí peak.
Many questions emerge from this thought and are the basis for my current body of work...
Working with clay brings these questions alive. For me, coil building is an intuitive process, which lends itself to both very structural and organic forms. I can use the human touch in juxtaposition with structure, while maintaining the idea that these elements are one in the same. Architectural, gestural, abstract, conceptual, and landscape elements come together to create a composition that is relevant to both past and present.
Joshua received a BA in Psychology University of Missouri-Columbia (MO) and was a Core Artist in the Fellowship Program at Penland School of Crafts (NC) where he focused on forged/fabricated steel, woodfired ceramics, and fine woodworking. Joshua recently received his MFA in ceramics at Utah State University, Logan, UT, where he was awarded a number of fellowships and was named Graduate Student Teacher of the Year (2013/14).
My current studio work is centered around wheel thrown ceramic tableware. A major inspiration for this work is the interaction and relationships that take place when people gather together for a meal. In this way I make pots so that my work may help to create experiences for people.
Chad Steve received his BFA from University of Wisconsin-Stout and his MFA from University of Hawaii at Manoa. He has worked as an adjunct professor and lab technician at the University of Hawaii. Recently, he has been selected to participate in the ICMEA (International Ceramic Magazine Editors Association) 2013 Emerging Artist Competition in Fuping, China. Chad is currently a long-term resident at the Clay Studio of Missoula.
Concerned with innovation and function I treat each piece as a small sculpture. With consideration of line, mass, and balance I find an arrangement that displays a strong visual presence within each piece. Constructing both sculptural and utilitarian ceramics I am most intrigued by the way we connected and interact with objects in our daily lives.
Casey Zablocki was born and raised in the Upper Peninsula. He received his BFA from Finlandia University and studied ceramic design in Kuopio, Finland. He spent one year working and studying as an apprentice to Peter Callas and as a special student at Montana State. He has showed in both national and international exhibitions. Casey is currently the Woodfire Resident at the Clay Studio of Missoula.
I believe in form and function, craft and industry, which all need to be considered to create a balance in beauty. Knowing beauty is just a perception it allows me to use clay as a natural vehicle to transport my ideas. My ideas are influenced by my past and my present surroundings. I find acceptance that each idea will not be successful and believe if I continue the process of creating, my perception of success will change. I find wood firing to be the most efficient artistic tool in finishing my work.